BROS

BROS is an extremely lewd, obscene, abhorrent romantic comedy, distributed by a major movie studio in Hollywood, about two homosexual men in New York City, who have difficulty getting together because of their different personalities. BROS sometimes pokes fun at the LGBTQ community and other social phenomenon in modern-day America, but it’s rather talky (one of the men is a chatterbox and sometimes selfishly refuses to shut up), and it comes down heavily in favor of transgender wokeness, including the sexual programming or “grooming” of innocent young children.

Aaron is a writer in New York who’s managing the opening of a LGBTQ history museum. The planning for the museum has been going smoothly until the board has trouble coming up with a final exhibit. Aaron suggests the final exhibit should be one about President Abraham Lincoln’s allegedly secret homosexual lifestyle (as a young man, Lincoln roomed with a younger man, and they slept in the same bed together, because beds were scarce and everyone shared beds). However, the bisexual representative on the museum’s board objects, saying that, if anything, Lincoln was bisexual because he was married and had four children. When the lesbian on the board sides with Aaron, the bisexual man starts complaining about the way bisexuals are treated in the LGBTQ community. He comically points out that bisexuals get a day to celebrate their sexual orientation, but lesbians get a whole month!

In his private life, Aaron engages in meaningless homosexual trysts with men off the streets. However, one night, he goes to a homosexual bar and becomes attracted to a buff young man named Bobby with his shirt off. Aaron enjoys talking to Bobby, but Bobby keeps disappearing to talk with someone else at the bar when Aaron is in mid-sentence (Aaron talks a lot, almost constantly). Bobby is scheduled to have a threesome with two “married” homosexual men later that night, and Aaron ends up joining them, but he doesn’t find the experience satisfying.

Soon, the two men start an ongoing relationship with one another, including rough sex. However, during a Christmas outing, Aaron is very rude to Bobby’s mother, a teacher, who disagrees with Aaron, who supports teaching second graders about sex, including homosexuality and transgender “identity.”

BROS sometimes pokes fun at the LGBTQ community and other social phenomenon in modern-day America. For example, in addition to the comical debate about Abraham Lincoln, the movie makes fun of The Hallmark Channel’s decision to include homosexual romances in its Christmas movies. The homosexual characters think Hallmark is just pandering to the LGBTQ community to make money, and the movie imagines Hallmark eventually making a Christmas movie about a group marriage with polyamorous people. In another funny scene, Aaron and Bobby are able to get a $5 million donation for the museum from an eccentric homosexual billionaire when Aaron pretends to like the man’s proposal to create a scary roller coaster ride focused on LGBTQ “trauma.”

However, BROS is really just a talky, “woke” propaganda project promoting politically correct LGBTQ activism. Eventually, Bobby’s mother is shamed into agreeing with Aaron about teaching sex to second grade children when she attends the grand opening of the LGBTQ museum. Also, at the grand opening, Aaron gives a speech where he recounts how much the transgender “community” has taught him about “gender fluidity.” He says it’s opened his eyes and made him a “better” person (in contrast to a more unhinged one?).

As such, BROS contains lots of strong foul language and many obscene sex scenes. BROS may appeal to radical, hedonistic liberals and leftists who have no moral standards at all, but many other viewers will find it unappealing. That a major movie studio would get behind such a trashy propaganda project shows how politically correct, brazen and depraved the liberal/left in Hollywood has become in recent years.